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Canon of Czech modern art
Ficková, Barbora ; Pech, Milan (advisor) ; Winter, Tomáš (referee)
The thesis deals with the formation of the canon of Czech modern art during the 20th century based on the analysis of art groups Osma, Skupina výtvarných umělců and Tvrdošíjní and their time. Every artist becomes an object of interest of art historian right after he creates an artwork. The art historians are trying to classify him and put him into the story of art history. The concrete interpretation of the artist and his artwork depends on different circumstances and always reflects the period, when it has been created. It is affected by social and political situation, preferred art historian approach, possibility of artworks reproduction, used terminology and stereotypes. Osma, Skupina výtvarných umělců and Tvrdošíjní has been chosen because their activity is connected with the origins of Czech modern art and the activity of their members is often reflected in the art historian literature. The chase of social-political situation during the 20th century allows naming also other topics that have influence on the form of the Czech modern art. The thesis analyses important exhibitions held between the years 1935-1998 and the survey literature written in the same time. Based on the analysis it introduces the concrete changes in the canon of Czech modern art. Keywords Canon of modern art, Cubism,...
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Feminist photography in the 1970s and 1980s as a tool for political and social change
Šatalíková, Adéla ; Pech, Milan (advisor) ; Bendová, Eva (referee)
My bachelor thesis is going to be about feminist photography of 70s and 80s of the 20th century as a tool for political and social change. At the beginning, a brief history of feminism will be presented. This part of the work will also be devoted, for example, to the reasons that led to the fact that there were not big women artists in the history of art and inequality between genders in history. After introduction into the historical context, Im going to focus on the reasons why the medium of photography is the right tool for political and social change and why this medium was used by feminist artists of the 70s and 80s. Afterwards i will focus on individual issues that the feminist artists thematized. It contains for example rape and violence against women in general, the right to decide about your own body, abortion issues, the use of pop culture to break down stereotypes, self- portrait as a tool to fight traditional image of feminity, the issue of raising girls versus boys, and the conflict between "white" and "black" feminism. The conclusion of the thesis will summarize the practical impacts of feminist art on society. Keywords Feminism, Photography, feminist photography, corporeality gender, sexuality, 80s of the 20th century, 70s of the 20th century, visual culure, politics, society, woman,...
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Canon of Czech modern art
Ficková, Barbora ; Pech, Milan (advisor) ; Winter, Tomáš (referee)
The thesis deals with the formation of the canon of Czech modern art during the 20th century based on the analysis of art groups Osma, Skupina výtvarných umělců and Tvrdošíjní and their time. Every artist becomes an object of interest of art historian right after he creates an artwork. The art historians are trying to classify him and put him into the story of art history. The concrete interpretation of the artist and his artwork depends on different circumstances and always reflects the period, when it has been created. It is affected by social and political situation, preferred art historian approach, possibility of artworks reproduction, used terminology and stereotypes. Osma, Skupina výtvarných umělců and Tvrdošíjní has been chosen because their activity is connected with the origins of Czech modern art and the activity of their members is often reflected in the art historian literature. The chase of social-political situation during the 20th century allows naming also other topics that have influence on the form of the Czech modern art. The thesis analyses important exhibitions held between the years 1935-1998 and the survey literature written in the same time. Based on the analysis it introduces the concrete changes in the canon of Czech modern art. Keywords Canon of modern art, Cubism,...
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Ana Mendieta - Adriena Šimotová. Various forms of the female principle in art
Prášková, Zita ; Klimešová, Marie (advisor) ; Rakušanová, Marie (referee)
(in English): This article examines life and work of Ana Mendieta and Adriena Šimotová - two women artists, who worked during the same era but on the other halves of the hemisphere. They had never met and moreover, they didn't know about each other and their art pieces. Their work is different, it differs in ideas, used artistic materials and especially in the social and political environment it was created in. The goal of this article is to put the approach of both of the artists in interaction, to compare their art pieces and to interpret parallels that lead to the connecting moment of their work. This moment is in this case called the feminine principle.
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Woman in art
Urbanová, Zdeňka ; Šmíd, Jan (advisor) ; Jakubcová Hajdušková, Lucie (referee)
Urbanová, Zdeňka: A Woman in Art. /Diploma Thesis/ Prague 2011 - Charles University in Prague, Faculty of Education, Department of Art, 100 standard pages focus of the thesis: theoretical and research study with an art project subject: interception of gender stereotypes and use of women art in an artistic production aim: to find out if pupils use gender stereotypes during their perception and to try to information them with this issue contribution, knowledge: an evocation of the interest in this issue in the context of art key words: women art, feminism, gender, gender stereotypes, identity, sexuality, erotic, plastic sur- geries, doll, art education
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